Jan 31 2012
2010 Amsterdam Film Festival Announces Van Gogh Awards
(PRWEB) July 4, 2010
It is with great pleasure that AFF announce at this time the award winners of the 2010 Amsterdam Film Festival Van Gogh Awards.
This has been a truly remarkable inaugural year for the Amsterdam Film Festival. The contest received several hundred submissions representing top storytellers from over 20 countries around the world. The quality of the work that we had the honor of reviewing was simply astounding. Judging from among this exceptionally high caliber of filmmaking talent proved to be extremely difficult as there were so many unique, well-made and worthy projects. After several months of careful consideration, we present to you the very best of the 2010 competition.
The De grote Prijs van de Jury was presented to Quest For Honor directed by Mary Ann Smothers Bruni (Iraq/Kurdistan). Quest for Honor follows Runak Faranj, a former teacher and tireless activist, as she works with local lawmen, journalists, and members of the Kurdistan Regional Government (the KRG), to solve the murder of a widowed young mother, protect the victim of a safe house shooting, eradicate honor killing and redefine honor.
The Cinematic Vision Award was presented to Through the Air to Calais or The Wonderful Cruise of Blanchard’s Balloon directed by Joseph Mauceri (USA). In the winter of 1785, an American and a Frenchman attempt the first crossing of the English Channel in a hydrogen balloon. Before these pioneers of aviation can write their page in history, however, theyll need to first survive the crossing.
The Van Gogh Award was presented to Art That Moves directed by Roger Horrocks (New Zealand). This short film dramatizes the moment when sixteen year old Len Lye (later a famous artist and film-maker) has ‘the best idea of his life’ for a new art of movement.
The Prodigy Auteur Prize was presented to Pechatnikoff Alley, 3 directed by Yevgeniy Vaskevich and Natalia Beliauskene (Russian Federation). One man tries to document one of the last streets of old Moscow, which is about to be destroyed by urban overdevelopment, but finds himself having to face the issues of his own life and death.
The Grand Jury Prize: World Cinema Documentary was presented to Modern Day Slaves OFW: Overseas Foreign Workers directed by Ted Urnace (USA). This film follows the stories of several Filipino Overseas Foreign Workers of various socio-economic backgrounds. Stories of severe physical and psychological abuseas well as rape and beheadingsare illustrated to outline how human rights are violated, standing as appalling consequences of human trafficking.
The Grand Jury Prize: World Cinema Dramatic was presented to Failing Better Now directed by Keren Atzmon (USA). A flakey writer loses her sisters cat and falls for the aspiring rock star who joins her on the search in the East Village.
The Grand Jury Prize: World Cinema Short was presented to Nous Deux Encore directed by Heather Harlow (France). Nous Deux Encore is a delightful and semi-voyeuristic glimpse into the 13 years that Maxie and Yiannis spent together until Yiannis’ untimely death in 1982. This extraordinary love story reveals itself through candid and unexpected photographs taken with the self-timer of an old format camera given to Yiannis as a child.
The Grand Jury Prize: World Cinema Student was presented to Laguna Negra directed by Michael Watts (United Kingdom). Laguna Negra is a film that explores the core values of a campesino community in Huancabamba (Peru), the way the fabric of this society has been threatened by large scale mining and the destructive outcome of imposing a capital intensive model of development on a society based on traditional values.
The Special Jury Prize, World Cinema Documentary was presented to Sonabai: Another Way of Seeing directed by David Berez (USA). While imprisoned by her husband for fifteen years, a woman in central India invents an entirely new art form that expresses life’s joy. Although Sonabai was illiterate and untrained, her artistic vision is now globally acknowledged. Her work has been the agent of significant social and economic improvement in her region. Sonabai’s astonishing story confronts us with our own choices: do we allow ourselves to be victimized by our current issues or can we use our own inner resources to find creative solutions?
The Special Jury Prize, World Cinema Dramatic was presented to Everyday Black Man directed by Carmen Madden (USA). A small neighborhood grocer wants to do good for his community, but when he takes on a young black Muslim as a partner, he realizes that he has put his beloved neighborhood and his family in danger, and must become the man he used to be in order to save them.
The Special Jury Prize, World Cinema Short was presented to Firecracker Flower directed by Frank Hall Green (USA). A black & white satire, thriller and part homage to silent and early talkie films, Firecracker Flower is the story of B and her encounter with her stalker. A fire in her youth burned her birth certificate, leaving only the letter B. The fire also killed her parents and her home. Now at college, B doesnt fit in. All the popular girls have stalkers: odd but harmless fellows who watch, follow and fawn over then, according to specific codes of the stalker. B, forever the oddball, doesn’t…yet.
The Special Jury Prize, World Cinema Student was presented to Banisko directed by Omer Zigdon (Israel). In a futuristic world, all the civilians are being evacuated. A scientist named Adam must find a male and a female to stay behind and rebuild the world’s population. Three days before the end of the evacuation, Adam discovers that his own mate (Ibol) has been chosen to stay without his knowledge.
The Special Jury Prize, World Cinema Music Video was presented to White Swan directed by Sil van der Woerd (Netherlands). In the depths of a dark machinery world lies Lolly Jane Blue, exhausted, soaked. As she starts to sing of escaping her situation a mesmerizing world unfolds.
The Special Jury Prize, World Cinema Animation was presented to Sebastian’s Voodoo directed by Joaquin Baldwin (USA). A voodoo doll must find the courage to save his friends from being pinned to death.
The Special Jury Prize, Dutch Documentary was presented to Against The Tide directed by Richard Trank (Germany/Israel/USA/UK). ‘Against The Tide’ examines the conflict that erupted in the American Jewish community in the late 1930′s and 40′s over the best means to rescue the Jews of Europe caught up Nazi Germany’s reign of terror. It is the little known story of Peter Bergson (nee Hillel Kook) who stood up against the American Jewish leadership and the Roosevelt Administration in his tireless efforts to try and save the Jews of Europe.
The Special Jury Prize, Dutch Dramatic was presented to Hortum directed by Ayse Altinok (Netherlands). Hortum is a short film about self-destruction. It’s an artistic celebration of being at the edge. Hortum visualizes memories of addiction and self-destruction in the form of installations and performances.
The Special Jury Prize for Originality was presented to Last Supper No. 3 directed by Veronica Velasco (Philippines). Last Supper No.3 features the comic suffering of Wilson Nanawa under an inefficient, corrupt and dawdling justice system in the Philippines, as he is faced with charges of Estafa and Serious Physical Injury for the loss of a Last Supper tapestry used as a prop for a television ad.
The Special Jury Prize for Spirit of Independence was presented to Claiming The Title: Gay Olympics on Trial directed by Jonathan Joiner and Robert Martin (USA). In 1982, an athletic group tries to hold a Gay Olympics, instigating what will ultimately become a battle at the U.S. Supreme Court and a challenge over the place of gays and lesbians in American society.
The Special Jury Prize for Acting, World Cinema was presented to Barbara Goenaga